Step forward... the image changes. Step back... it transforms.
Welcome to an art form that comes alive through your gaze.
I am an artist born from silence, from observation, and from gesture.
I spoke late. Around the age of five. Before words, I observed. For long moments. Intensely. Sitting still, motionless, I watched the world as one listens to an inner music.
In truth, I was already elsewhere: immersed in an extreme attention to forms, materials, and beauty. To me, visual beauty is not merely something we see. It is a song. A vibration. A heartbeat that moves through the body.
Very early on, my hands spoke for me. People used to say I had “two right hands.” I repaired everything that was broken. I took things apart, rebuilt them, transformed them. Gesture became my first language. Creating, repairing, giving things a second life became my way of inhabiting the world.Photography was one of my first territories. But a still image was never enough for me. I was seeking movement, vibration, a living image.Since childhood, music has lived deeply within me. I sang in choirs and discovered the emotional power of the voice. I would have loved to become a singer, because for me, the voice is the most direct expression of emotion. It reaches the soul instantly, without any material intermediary.
Even as a child, I felt the need to give presence to objects. I painted my teddy bears, styled their hair, and above all, perfumed them with my father’s fragrance. I wanted to give them an identity, almost a soul. Without knowing it, I was already trying to humanize matter.Later, this quest found form in musical instruments. Violins, cellos, and double basses became bodies to me. Their curves are profoundly human, almost feminine.
By working with these forms, I feel as though I am breathing a sensitive presence into the material. Music becomes visible.The automobile is another expression of this relationship with the body and movement. As a licensed racing driver, having nearly competed twice in the Paris-Dakar, I experienced the fusion between man and machine, speed as an extension of the body, and line as pure emotion.
Whether through image, instruments, childhood objects, or mechanics, I am always pursuing the same gesture.
Repair.
Sublimate.
Humanize.
My work seeks to create a dialogue between movement, sound, memory, and beauty.I do not seek to explain.
I seek to make things vibrate.
I spoke late. Around the age of five. Before words, I observed. For long moments. Intensely. Sitting still, motionless, I watched the world as one listens to an inner music.
In truth, I was already elsewhere: immersed in an extreme attention to forms, materials, and beauty. To me, visual beauty is not merely something we see. It is a song. A vibration. A heartbeat that moves through the body.
Very early on, my hands spoke for me. People used to say I had “two right hands.” I repaired everything that was broken. I took things apart, rebuilt them, transformed them. Gesture became my first language. Creating, repairing, giving things a second life became my way of inhabiting the world.Photography was one of my first territories. But a still image was never enough for me. I was seeking movement, vibration, a living image.Since childhood, music has lived deeply within me. I sang in choirs and discovered the emotional power of the voice. I would have loved to become a singer, because for me, the voice is the most direct expression of emotion. It reaches the soul instantly, without any material intermediary.
Even as a child, I felt the need to give presence to objects. I painted my teddy bears, styled their hair, and above all, perfumed them with my father’s fragrance. I wanted to give them an identity, almost a soul. Without knowing it, I was already trying to humanize matter.Later, this quest found form in musical instruments. Violins, cellos, and double basses became bodies to me. Their curves are profoundly human, almost feminine.
By working with these forms, I feel as though I am breathing a sensitive presence into the material. Music becomes visible.The automobile is another expression of this relationship with the body and movement. As a licensed racing driver, having nearly competed twice in the Paris-Dakar, I experienced the fusion between man and machine, speed as an extension of the body, and line as pure emotion.
Whether through image, instruments, childhood objects, or mechanics, I am always pursuing the same gesture.
Repair.
Sublimate.
Humanize.
My work seeks to create a dialogue between movement, sound, memory, and beauty.I do not seek to explain.
I seek to make things vibrate.
My works are now part of international private collections and have been acquired by public figures, entrepreneurs, and major luxury houses, notably those connected to the LVMH group.Some of my pieces are also held in the collections of prestigious houses such as Van Cleef & Arpels and Lamborghini, as well as by contemporary art collectors, architects, and designers.
Among the personalities who own my works are Nicolas Sarkozy, Mohammed VI, as well as executives connected to West Ham United Football Club, among others.
“Each work is designed and handcrafted in my studio. Every piece is unique and forms part of a personal artistic exploration. This website presents only a selection of my work.”
